The Lone German Wave, and Ira (the little black dot), as seen from his tent early one winter morning. The first trips out to the spot were done alone, with camera statically filming the scene from a tripod. Though this type of filmmaking was sticking true to Ira’s style of video art, he soon realized the importance of properly documenting the rare wave. After a bit of convincing, Ira began dragging his friends, his girlfriend, and even his own mother, up north to pan the camera through below zero temperatures, while Ira attempted the seemingly impossible.